Blood Snow vertaalddg nanouk okpik Alaskan Native poet dg nanouk okpik's debut book, corpse whale (2012), invited readers into a half imagined arctic world, populated by prehistoric mastodons but also littered with plastic trash. A central feature of that book was the speakers disorienting use of she I, which vocalizes a hybrid identity that reflects okpiks Inuit Inupiat heritage, and her upbringing by German and Irish caretakers. In Blood Snow, the poet employs these
/ van lange stilte slijpend staal’
Miriam Van hee publiceerde haar eerste gedichten in 1978
Fusing the personal and the political in high-voltage verse
Na de oorlog was hij werkzaam voor onder meer de Volkskrant en NRC Handelsblad
described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's groundbreaking works of writing consciousness
Magical Negro is an archive of black everydayness
has a passionate awareness of the reality of human suffering
Lieke Marsman
it is meant to be read for plot
“Dit is alleszins een bundel die nazindert
brengt Hirs een liefdesverklaring aan de taal
part feminist ars poetica
